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L. Frank Baum

The Wonderful Wizard of Oz is the first of the Oz series. Originally published by the George M. Hill Company in Chicago on May 17, 1900, it has since been reprinted numerous times, most often under the name The Wizard of Oz, which is the name of both the popular 1902 Broadway musical and the well known 1939 film adaptation. The story chronicles the adventures of a young girl named Dorothy Gale in the Land of Oz, after being swept away from her Kansas farm home in a cyclone. The novel is one of the best known stories in American popular culture and has been widely translated. Its initial success, and the success of the 1902 Broadway musical which Baum adapted from his original story, led to Baum's writing thirteen more Oz books.

Phil Chevenert

Anncona Media AB

The Original OZ series

The Wonderful Wizard of Oz

The Marvelous Land of Oz: Being an Account of the Further Adventures of the Scarecrow and the Tin Woodman, commonly shortened to The Land of Oz, published 1904, is the second of L. Frank Baum's books set in the Land of Oz, and the sequel to The Wonderful Wizard of Oz. This and the next thirty four Oz books of the famous forty were illustrated by John R. Neill. The book was made into an episode of The Shirley Temple Show in 1960 and into a Canadian animated feature film of the same name in 1987. It was also adapted in comic book form by Marvel Comics, with the first issue being released in November 2009. Plot elements from The Marvelous Land of Oz are included in the 1985 Disney feature film Return to Oz.

Paul Harvey

The Land of Oz

The Marvelous Land of Oz: Being an Account of the Further Adventures of the Scarecrow and the Tin Woodman, commonly shortened to The Land of Oz, published in 1904, is the second of L. Frank Baum's books set in the Land of Oz, and the sequel to The Wonderful Wizard of Oz. 

The book was made into an episode of The Shirley Temple Show in 1960, and into a Canadian animated feature film of the same name in 1987. It was also adapted in comic book form by Marvel Comics, with the first issue being released in November 2009. Plot elements from The Marvelous Land of Oz are included in the 1985 Disney feature film Return to Oz.

Lyman "L." Frank Baum (1856-1919) was an American author of children's books, best known for writing The Wonderful Wizard of Oz. He wrote thirteen novel sequels, nine other fantasy novels, and a host of other works (55 novels in total, plus four "lost" novels, 83 short stories, over 200 poems, an unknown number of scripts, and many miscellaneous writings), and made numerous attempts to bring his works to the stage and screen. His works anticipated such century-later commonplaces as television, augmented reality, laptop computers (The Master Key), wireless telephones (Tik-Tok of Oz), women in high risk, action-heavy occupations (Mary Louise in the Country), and the ubiquity of advertising on clothing (Aunt Jane's Nieces at Work).

Baum's avowed intentions with the Oz books, and other fairy tales, was to tell such tales as the Brothers Grimm and Hans Christian Andersen told, making them American and bringing them up to date by making the characters not stereotypical dwarfs or genies, and by removing both the violence and the moral to which the violence was to point. Although the first books contained a fair amount of violence, it decreased with the series; in The Emerald City of Oz, Ozma objected to doing violence even to the Nomes who threaten Oz with invasion. His introduction is often cited as the beginnings of the sanitization of children's stories, although he did not do a great deal more than eliminate harsh moral lessons. His stories still include decapitations, eye removals, maimings of all kinds, and other violent acts, but the tone is very different from Grimm or Andersen.

The Land of Oz (OZ #2)

Ozma of Oz: A Record of Her Adventures with Dorothy Gale of Kansas, the Yellow Hen, the Scarecrow, the Tin Woodman, Tik Tok, the Cowardly Lion and the Hungry Tiger; Besides Other Good People too Numerous to Mention Faithfully Recorded Herein published on July 30, 1907, was the third book of L. Frank Baum's Oz series. It was the first in which Baum was clearly intending a series of Oz books.

Ozma of Oz

Ozma of Oz: A Record of Her Adventures with Dorothy Gale of Kansas, the Yellow Hen, the Scarecrow, the Tin Woodman, Tik-Tok, the Cowardly Lion and the Hungry Tiger; Besides Other Good People too Numerous to Mention Faithfully Recorded Herein published in 1907, was the third book of L. Frank Baum's Oz series. It was the first in which Baum was clearly intending a series of Oz books.

It is the first Oz book where the majority of the action takes place outside of the Land of Oz. Only the final two chapters take place in Oz itself. This reflects a subtle change in theme: in the first book, Oz is the dangerous land through which Dorothy must win her way back to Kansas; in the third, Oz is the end and aim of the book. Dorothy's desire to return home is not as desperate as in the first book, and it is her uncle's need for her rather than hers for him that makes her return.

The Oz books form a book series that begins with The Wonderful Wizard of Oz (1900) and relate the fictional history of the Land of Oz. L. Frank Baum went on to write fourteen full-length Oz books. Even while he was alive, Baum was styled as "the Royal Historian of Oz" to emphasize the concept that Oz is an actual place. The illusion created was that characters such as Dorothy and Princess Ozma related their adventures in Oz to Baum themselves, by means of wireless telegraph. 

Lyman "L." Frank Baum (1856-1919) was an American author of children's books, best known for writing The Wonderful Wizard of Oz. He wrote thirteen novel sequels, nine other fantasy novels, and a host of other works (55 novels in total, plus four "lost" novels, 83 short stories, over 200 poems, an unknown number of scripts, and many miscellaneous writings), and made numerous attempts to bring his works to the stage and screen. His works anticipated such century-later commonplaces as television, augmented reality, laptop computers (The Master Key), wireless telephones (Tik-Tok of Oz), women in high risk, action-heavy occupations (Mary Louise in the Country), and the ubiquity of advertising on clothing (Aunt Jane's Nieces at Work).

Baum's avowed intentions with the Oz books, and other fairy tales, was to tell such tales as the Brothers Grimm and Hans Christian Andersen told, making them American and bringing them up to date by making the characters not stereotypical dwarfs or genies, and by removing both the violence and the moral to which the violence was to point. Although the first books contained a fair amount of violence, it decreased with the series; in The Emerald City of Oz, Ozma objected to doing violence even to the Nomes who threaten Oz with invasion. His introduction is often cited as the beginnings of the sanitization of children's stories, although he did not do a great deal more than eliminate harsh moral lessons. His stories still include decapitations, eye removals, maimings of all kinds, and other violent acts, but the tone is very different from Grimm or Andersen.

Ozma of Oz (OZ #3)

Dorothy and the Wizard in Oz is the fourth book set in the Land of Oz written by L. Frank Baum and illustrated by John R. Neill. It was published on June 18, 1908 and reunites Dorothy with the humbug Wizard from The Wonderful Wizard of Oz.

Dorothy and the Wizard in Oz

Dorothy and the Wizard in Oz is the fourth book set in the Land of Oz written by L. Frank Baum. It was published on June 18, 1908 and reunites Dorothy with the humbug Wizard from The Wonderful Wizard of Oz.

Baum, having resigned himself to writing a series of Oz books, set up elements of this book in the prior Ozma of Oz. He was not entirely pleased with this, as the introduction to Dorothy and the Wizard of Oz opens with the protest that he knows many tales of many lands, and hoped that children would permit him to tell them those tales.

Written shortly after the 1906 San Francisco earthquake and around the time Baum moved to California, the book starts with an earthquake in California. Dorothy and others are swallowed up by cracks in the earth, and fall into an underground cavern, where begin their adventures.

Very little of the story -six of the twenty chapters-actually takes place in Oz. As in Ozma of Oz before it, and in some of the books after, Oz is not the land where the adventures take place, but the land the characters are seeking as a refuge from adventure.

The Oz books form a book series that begins with The Wonderful Wizard of Oz (1900) and relate the fictional history of the Land of Oz. L. Frank Baum went on to write fourteen full-length Oz books. Even while he was alive, Baum was styled as "the Royal Historian of Oz" to emphasize the concept that Oz is an actual place. The illusion created was that characters such as Dorothy and Princess Ozma related their adventures in Oz to Baum themselves, by means of wireless telegraph.

Lyman "L." Frank Baum (1856-1919) was an American author of children's books, best known for writing The Wonderful Wizard of Oz. He wrote thirteen novel sequels, nine other fantasy novels, and a host of other works (55 novels in total, plus four "lost" novels, 83 short stories, over 200 poems, an unknown number of scripts, and many miscellaneous writings), and made numerous attempts to bring his works to the stage and screen. His works anticipated such century-later commonplaces as television, augmented reality, laptop computers (The Master Key), wireless telephones (Tik-Tok of Oz), women in high risk, action-heavy occupations (Mary Louise in the Country), and the ubiquity of advertising on clothing (Aunt Jane's Nieces at Work).

Baum's avowed intentions with the Oz books, and other fairy tales, was to tell such tales as the Brothers Grimm and Hans Christian Andersen told, making them American and bringing them up to date by making the characters not stereotypical dwarfs or genies, and by removing both the violence and the moral to which the violence was to point. Although the first books contained a fair amount of violence, it decreased with the series; in The Emerald City of Oz, Ozma objected to doing violence even to the Nomes who threaten Oz with invasion. His introduction is often cited as the beginnings of the sanitization of children's stories, although he did not do a great deal more than eliminate harsh moral lessons. His stories still include decapitations, eye removals, maimings of all kinds, and other violent acts, but the tone is very different from Grimm or Andersen.

Dorothy and the Wizard in Oz (OZ #4)

The Road to Oz: In Which Is Related How Dorothy Gale of Kansas, The Shaggy Man, Button Bright, and Polychrome the Rainbow's Daughter Met on an Enchanted Road and Followed it All the Way to the Marvelous Land of Oz. is the fifth of L. Frank Baum's Land of Oz books. It was originally published on July 10, 1909 and documents Dorothy's fourth visit to Oz.

The Road to Oz

The Road to Oz: In Which Is Related How Dorothy Gale of Kansas, The Shaggy Man, Button Bright, and Polychrome the Rainbow's Daughter Met on an Enchanted Road and Followed it All the Way to the Marvelous Land of Oz. is the fifth of L. Frank Baum's Land of Oz books. It was originally published on July 10, 1909 and documents Dorothy's fourth visit to Oz.

The sales figures of Baum's other fantasy novels always lagged behind his Oz novels; it has therefore been theorized that the "guest appearances" of his non-Oz characters in The Road to Oz were a marketing ploy to raise interest in those other titles.

The Oz books form a book series that begins with The Wonderful Wizard of Oz (1900) and relate the fictional history of the Land of Oz. L. Frank Baum went on to write fourteen full-length Oz books. Even while he was alive, Baum was styled as "the Royal Historian of Oz" to emphasize the concept that Oz is an actual place. The illusion created was that characters such as Dorothy and Princess Ozma related their adventures in Oz to Baum themselves, by means of wireless telegraph. 

Lyman "L." Frank Baum (1856-1919) was an American author of children's books, best known for writing The Wonderful Wizard of Oz. He wrote thirteen novel sequels, nine other fantasy novels, and a host of other works (55 novels in total, plus four "lost" novels, 83 short stories, over 200 poems, an unknown number of scripts, and many miscellaneous writings), and made numerous attempts to bring his works to the stage and screen. His works anticipated such century-later commonplaces as television, augmented reality, laptop computers (The Master Key), wireless telephones (Tik-Tok of Oz), women in high risk, action-heavy occupations (Mary Louise in the Country), and the ubiquity of advertising on clothing (Aunt Jane's Nieces at Work).

Baum's avowed intentions with the Oz books, and other fairy tales, was to tell such tales as the Brothers Grimm and Hans Christian Andersen told, making them American and bringing them up to date by making the characters not stereotypical dwarfs or genies, and by removing both the violence and the moral to which the violence was to point. Although the first books contained a fair amount of violence, it decreased with the series; in The Emerald City of Oz, Ozma objected to doing violence even to the Nomes who threaten Oz with invasion. His introduction is often cited as the beginnings of the sanitization of children's stories, although he did not do a great deal more than eliminate harsh moral lessons. His stories still include decapitations, eye removals, maimings of all kinds, and other violent acts, but the tone is very different from Grimm or Andersen.

The Road to Oz (OZ #5)

The Emerald City of Oz is the sixth of L. Frank Baum's fourteen Land of Oz books. It was also adapted into a Canadian animated film in 1987. 

Originally published in 1910, it is the story of Dorothy Gale and her Uncle Henry and Aunt Em coming to live in Oz permanently. While they are toured through the Quadling Country, the Nome King is assembling allies for an invasion of Oz. This is the first time in the Oz series that Baum made use of double plots for one of the books.

Baum had intended to cease writing Oz stories with this book, but financial pressures prompted him to write and publish The Patchwork Girl of Oz, with seven other Oz books to follow.

The Emerald City of Oz contains more material on the social organization of Oz than most of the earlier books, and as a consequence has attracted commentary on its Utopian aspects. The "explicitly socialist" economy of Oz has been contrasted to other "fantasy" projections of socialist societies, like Edward Bellamy's Looking Backward (1888) and William Morris's News from Nowhere (1890).

The Oz books form a book series that begins with The Wonderful Wizard of Oz (1900) and relate the fictional history of the Land of Oz. L. Frank Baum went on to write fourteen full-length Oz books. Even while he was alive, Baum was styled as "the Royal Historian of Oz" to emphasize the concept that Oz is an actual place. The illusion created was that characters such as Dorothy and Princess Ozma related their adventures in Oz to Baum themselves, by means of wireless telegraph.

Lyman "L." Frank Baum (1856-1919) was an American author of children's books, best known for writing The Wonderful Wizard of Oz. He wrote thirteen novel sequels, nine other fantasy novels, and a host of other works (55 novels in total, plus four "lost" novels, 83 short stories, over 200 poems, an unknown number of scripts, and many miscellaneous writings), and made numerous attempts to bring his works to the stage and screen. His works anticipated such century-later commonplaces as television, augmented reality, laptop computers (The Master Key), wireless telephones (Tik-Tok of Oz), women in high risk, action-heavy occupations (Mary Louise in the Country), and the ubiquity of advertising on clothing (Aunt Jane's Nieces at Work).

Baum's avowed intentions with the Oz books, and other fairy tales, was to tell such tales as the Brothers Grimm and Hans Christian Andersen told, making them American and bringing them up to date by making the characters not stereotypical dwarfs or genies, and by removing both the violence and the moral to which the violence was to point. Although the first books contained a fair amount of violence, it decreased with the series; in The Emerald City of Oz, Ozma objected to doing violence even to the Nomes who threaten Oz with invasion. His introduction is often cited as the beginnings of the sanitization of children's stories, although he did not do a great deal more than eliminate harsh moral lessons. His stories still include decapitations, eye removals, maimings of all kinds, and other violent acts, but the tone is very different from Grimm or Andersen.